The End is High-Concept

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A photo of two men leaning on a wall. The man at the front has medium length hair that has been pushed over to one side and a full beard. The man at the back has long curly hair and a full beard and is wearing rose gold framed glasses. Their reflections are visible on the wall.

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Dates & times

1 Venue

Ngunyawayiti Theatre at Tandanya National Aboriginal Cultural Institute

253 Grenfell St, Adelaide, SA, 5000

Content warnings

Age Suitability:

Coarse Language:

Occasional, Mild

Depicts Violence:

Occasional, Mild

Other Warnings:

Loud noises, Mental Health, Smoke Effects, Strobe Lighting

First Nations Australian Events

About this event

Stranded in DEEP SPACE when their ship's computer updates itself into obsolescence, the crew attempt to pass the time and bolster morale by sharing tales of woe and whimsy, all the while a greater mystery unwinds amongst them. It's 'Black Mirror' meets 'Skithouse' from the writing team behind the AWARD WINNING 'Huge News'; Kyron Weetra and Josh Mensch!

Collaborating with local digital artists and 3-D animators, using motion capture technology to create live animation performances to surprise and delight audiences, showcasing what is possible with modern performance.

Sketch comedy at it's conceptual finest; a sci-fi anthology nested inside a classic shipwreck tale, set in a galaxy hopping vessel in the year 2121. If you're looking for fast paced, smart and silly theatre, you've found it!

Presented by:
Cackling Jackal

Cackling Jackal is a young experimental creative collective, based on Kaurna Land. We create new and original work, that we have presented both locally and internationally. Over the past 3 years we have produced theatre for children, music, a live comedy podcast, and live variety nights featuring cabaret, comedy, and circus artists. Our signature style is silly and sincere, featuring work by artists who are First Nations, queer, & disabled making work about the things we’re interested in, including the frivolous and the thoughtful. Our current goal is to create boundary busting art, using digital innovations to make weird and wonderful theatre. Our most recent work, at Fringe 2020, 'Josh Mensch: Abomination' received a 5 STAR ★★★★★ review from Mindshare.org.

Reviews

“So, what are you doing sitting at home, you mere earthling? Get up and go see The End is High-Concept!” - Nahum Gale, Verse Magazine
“The End is High-Concept is definitely a must watch this fringe season.” - Ekkia Evans, The Adelaide Show Podcast
“May the force be with those creating original, cutting-edge theatre in our community” - Craig Cook, The Advertiser