This show belongs to the Adelaide Fringe 2022 season. This season is now over.

Two hands reach towards one another, arms outstretched against a solid black background. The one on the left has dark skin, while the other has lighter skin. The arms are framed by bodies stacked on top of one another along each side, showing mostly skin with hints of shiny green and pink fabric stretched across the bodies.
Six people on a stage performing. One person has been thrown into the air whilst the other five people are ready to catch them.  They are wearing an assortment of colours including red, maroon, grey, green & blue. There is yellow/orange/brown lighting in the background.
Six people on a stage performing. One person is being held on top of another person's head by the four other performers. Each performer is holding an arm or leg. They are wearing an assortment of colours including red, maroon, grey, green & blue. There is orange lighting in the background.

I Want To Touch You

Circus • Physical Theatre
South Australia

The creatives behind Fringe hit, A Simple Space, return with their award-winning new work that is the perfect antidote to lockdown and social distancing.  

Slap, tickle, lick, stroke, punch, kiss, shove, poke, pinch, hold, grab, squeeze, scratch, bite, cuddle. 

Recent times have reminded us of the tyranny of distance. Our inability to touch even those closest to us has forced us to realise that physical touch is not just important, it is essential, especially for an acrobat! 

Six acrobats with an unprecedented physical connection and 5 piece jazz band, Nu Article, with their deep sonic bond, unite to investigate our innate desire to connect and the obstacles that limit this. 

“...a beautiful expression of human connection, told through artists at the top of their game. “ â˜…★★★★ - Indaily

 

Presented by: Gravity & Other Myths

We are Gravity & Other Myths but our friends call us GOM. Adelaide born and bred, GOM’s work challenges new circus through conceptual sophistication and acrobatic virtuosity.

The past 12 years have seen GOM consolidate our meteoric introduction to the arts sector through steady growth, six critically acclaimed works and broad global success having toured to 40 countries with a collective attendance of over 750,000. During the past 18 months of travel restrictions, we based our ensemble of 30 in Adelaide where we we developed and premiered, The Pulse, the largest and most ambitious contemporary circus work in Australian history.

We apply an honest approach to performance, illuminating the complexities of humanity through genuine connections, humour and physical mastery.

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