Let’s get one thing straight: just because no-one’s ever written a stand-up show about, and including, classical music doesn’t mean that it’s a bad idea. In fact, thanks to this masterclass from Aidan Jones, there’s every likelihood that Fringe 2026 will be filled with a new genre we’re catchily calling classical-composer/comedy mash-ups. In other words, this is good stuff.

Jones played classical piano as a kid, but after failing his conservatory audition (he didn’t learn the set piece) he turned to other wholesome pleasures like MDMA, clubbing and comedy. Lock-down led him to rediscover his passion (and talent) and he became obsessed with Chopin’s Nocturne In Eb Major. As you do. The show is split between a break-down of the piece, interspersed with classical music history and stories from his slacker twenties. This should not work, but it does.

Adelaide-born Jones has been on the circuit for over a decade so he knows how to deliver. Sharp as a tack, his affable delivery brings the audience with him for the whole hour, even though the middle section gets slightly too involved (although we all now know what a C# major scale can do to a girl). Innovative and interesting, this relatable show cuts across generational lines with a message that resonates. It doesn’t hurt that he can really play the piano either.