Every time you think you have a grip on YOAH, it morphs into something different.  

Japanese company CIRQUEWORK promise a new style of circus and they’ve absolutely delivered, using light and sound to stunning effect. Some parts of the show blur the line between physical and digital so convincingly it’s impossible not to be captivated by what you’re seeing.

From graceful aerial work to juggling to barely believable performances with lit diabolos, in YOAH bodies twist and soar, balls fly and carefully constructed light and shade is flecked with colour. Music and strobe lighting propel the show, so be aware some parts could prove overwhelming.

The highlight is a breathtaking performance on a tower of chairs. As chair after chair came out on stage to be added to the already intimidating height the audience was unsure whether to laugh - or hide behind their hands.

YOAH’s five performers make the ridiculous look natural and bring the audience along with them all the way. Their charm is a huge part of the experience, and the show never loses its human element, even at its most as modern.

YOAH runs all through the Fringe - don’t be surprised if it’s one of this year’s hits.