Reviewed by: thebarefootreview
Review by Arna Eyers-White | 28 February 2023

If this isn’t the smallest theatre in the Fringe, it’s running a close second to wherever the first is! A dozen or so seats fills the intimate space, with j-u-s-t enough room for an electric keyboard and a couple of props. Definitely not a chip packet kind of place.

This is Janet Swain’s first solo show – she references her cabaret band The Loveys, later in the piece. But this is hers, and what a triumph it is. This is what a Fringe show should be, through and through.

 

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