Reviewed by:
The Barefoot Review
Review by Arna Eyers-White |
28 February 2023
If this isn’t the smallest theatre in the Fringe, it’s running a close second to wherever the first is! A dozen or so seats fills the intimate space, with j-u-s-t enough room for an electric keyboard and a couple of props. Definitely not a chip packet kind of place.
This is Janet Swain’s first solo show – she references her cabaret band The Loveys, later in the piece. But this is hers, and what a triumph it is. This is what a Fringe show should be, through and through.
See full review https://www.thebarefootreview.com.au/