Case Numbers is a marvellous blend of comedy, 80s VHS Tapes, Scottish accents, government submarines that double as theatres, and, more than anything, storytelling. From the brilliantly mad mind of Dylan Cole, sole producer and presenter of the show, audiences are invited for a wild adventure that uncovers what exactly is in the briefcase. No, it has nothing to do with COVID-19 cases. No, you will not expect the twists and turns in the show. And yes, I will still be laughing and raving about this show for weeks to come!
Cole kicks off the show with a set of notes and disclaimers, ones that inform the following content and are consistently referred to in the performance. One of the more notable disclaimers is that the show does not require audience participation, for the sole reason that audience members often don’t like to participate. Following this, Cole happened to direct his attention to me and asked if I could confirm his suspicions. After laughing off my sudden involvement in the performance, I knew that I was in for a wild ride.
Case Numbers also features a disclaimer that the show is all about storytelling. This shines through as the story takes full shape, specifically with a non-existent beginning, a middle that is useless, and an ending that is endless. Recounting his fond memories with his Scottish writing teacher, Cole points out that a beginning should have a good hook, a middle should have progression, and an ending should show a resolution. These aspects and more reveal Cole’s outstanding ability as a writer and storyteller.
Presenting a creative and meta performance, with references to both 80s pop culture and modern global events, the show is hilarious in every way, incorporating topical comedy and dark humour to really get the audience laughing. Cole uses narrative conventions often found in novels to perform an unforgettable story that exhibits the brilliance of the modern-day writer. The self-awareness and continual references that bring audiences back to earlier in the show create long-lasting impressions that are sure to leave all ticketholders wanting to come back for more.
Throughout the show, I began to notice many eerie similarities between myself and Dylan Cole. Both of us studied writing at university, have a passion for theatre and drama, use maths to solve problems in practical ways, and have the same type of humour. I am truly inspired by the performance and can only hope to be as good of a storyteller as Cole when I have graduated. The show is, hands-down, one of the best comedy acts the Adelaide Fringe has seen, and models what all comedians should aspire for. Do yourself a favour and go see Dylan Cole’s Case Numbers while you still can!