Circus is a broad church these days, and 360 Allstars occupies a niche that is ideally suited to millennials, with a nod to Gen Y. I add the latter, as the break-dancing, beat boxing, rapping performers seem to have centred themselves pretty firmly in the ‘nineties’ (as in last century). It’s nonetheless appealing, as breakdancing in particular has joined the lexicon of dance and is dangerously close to mainstream. For the full review see: http://www.thebarefootreview.com.au/menu/theatre/119-2014-adelaide-reviews/2283-360-allstars.html