Reviewed by: All About Entertainment

Review by Louise Adele | 22 March 2026

๐„๐š๐ญ ๐“๐ก๐ž ๐‘๐ข๐œ๐ก (๐›๐ฎ๐ญ ๐ฆ๐š๐ฒ๐›๐ž ๐ง๐จ๐ญ ๐ฆ๐ž ๐ฆ๐š๐ญ๐ž๐ฌ ๐ฑ)
๐“๐ก๐ž ๐’๐ญ๐ฎ๐๐ข๐จ @ ๐‡๐จ๐ฅ๐๐ž๐ง ๐’๐ญ๐ซ๐ž๐ž๐ญ ๐“๐ก๐ž๐š๐ญ๐ซ๐ž๐ฌ


In the cosy Studio Theatre, I sat down anticipating the typical Fringe standup experience of crass humour, verbal jousting, and rapport-building. What transpired was something uniquely pleasing.


With a delightful Scouse accent and the sporting-chic getup to match, Jade Frank unleashes a story that debunks the gloss of British aristocracy whilst shamelessly exposing a desire to fit in.


Through enactments of conversations with colleagues and Cambridge University cliques, Frank takes us through the experience of a working-class Liverpudlian lass trying to make her way into elite social circles to prove her worth.

The dialogue is clever and authentic, the messages are pertinent, but I feel at times that the humour falls short where it showed potential for something raucous.


Overall, Frank delivers a rare experience that reflects on the flawed capitalistic mindset that is driving humanity into despair and the impact it has on the spirit of todayโ€™s youth. While it may not deliver a laugh a minute, it certainly delivers food for thought.