Reviewed by: A Thousand Words

Review by Carolina Fioravanti | 18 March 2026

Upon entering the Yurt in the Migration Museum, you forget you're in the city. You're immediately transported into a tiny haven, an audience space of no more than a couple dozen, cosy and almost magical. It was the perfect setting for this show, just as intimate and fantastical.

This one-man show follows Otto, a boy who finds himself in a mysterious, unknown, sinister land in an unidentifiable time. He seems to be rowing down the river Thames, but the surrounding landscape and even the era constantly shifts. He meets a variety of characters who each impart their own wisdoms and messages, the most important one (in my humble opinion) being an orange cat named Charlie.

Throughout the entire show Otto is running from a being known only as the Nameless One. Keen viewers will very quickly understand that the Nameless One is a metaphor, though what he's a metaphor for isn't clear until the very end. I won't spoil it for anyone, but there's a very good chance you will know the Nameless One personally. I know I do.

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This one-man show is theatre of the mind at its finest. Otto is an incredible character and storyteller, and you will be taken along on a fantastical, vivid dream from beginning to end. As this is the final week of Fringe for 2026, shows are limited. I highly encourage people to see this show while they can.