This show belongs to the Adelaide Fringe 2026 season. This season is now over.

Dark, surreal museum-like room lined with framed silhouettes of women pinned like specimens. A pale opera-diva illustration stands in the foreground, wide-eyed, mouth open in a dramatic cry, butterflies swirling around her. A glass dome containing pinned monarch butterflies sits on a pedestal behind her. Eerie, theatrical, and feminist-dystopian, evoking themes of erasure, captivity, and transformation. Text on the poster announces  “3 Shows Only!”
comedy-opera hybrid, chaotic diva, beautifully unhinged, darkly funny, avant-opera, big vocals, big eyes, butterflies.
Performer in red polka dot suit sitting on a white couch
Adelaide Fringe 2026

MAX SHARAM is MEZZO CUCKOO!

Platinum-selling powerhouse Max Sharam — 90s art-pop icon who walked away from the commercial music industry — detonates onto the stage from New York with Mezzo Cuckoo: Diva Gone Dada. With virtuosic vocals, razor-sharp wit, set inside her cinematic universe, Sharam hijacks opera as a site of rebellion, twisting beloved arias into anarchic parody as a surreal act of resistance against a culture determined to label women ‘cuckoo.’ Blending opera bouffe, absurdist theatre, and slapstick, Mezzo Cuckoo is a must-see for anyone craving boundary-pushing performance with something urgent to say. 

 

★★★★★ The most brilliant, inventive, meaningful and mind-blowing performance I’ve seen in years. Max Sharam’s Mezzo Cuckoo left me in awe of her talent — I loved it so much I can’t stop thinking about it. Go see her show! She’s only in Oz for a limited time. 
 
★★★★★ A one-woman tour-de-force, Mezzo Cuckoo short-circuits the patriarchy with sly theatricality and aching tenderness, revealing what happens when a woman refuses to quietly vanish. 

Presented by: Purple Flower Music

Max, an eight-time ARIA Award–nominated singer-songwriter, has been fascinated with character & storytelling in music since childhood. A fearless pioneer & risk-taker, she frequently explores female characters in extreme emotional states. Her love of music and technology has led her to merge mediums & disciplines, developing hybrid art forms that include digitally manipulated drawings & video performances with distinctive themes. Max probes the gap between reality & imagination, blending the psychological, the political, & the conceptual — always defending the marginalized and dispossessed. Max, when not ‘dying’ mens red-ties, makes her home in Manhattan, New York.
Theatre and Physical Theatre
New South Wales • Australian Premiere
Reviews
  •          

    Max has always been a total original...She's one of a kind - Larry Buttrose, Sydney Fringe

  •          

    Max could take that show anywhere to any audience and it would be a hit - Sydney Fringe

  •          

    The most brilliant, inventive, meaningful and mind-blowing performance I’ve seen in years. Max Sharam’s Mezzo Cuckoo left me in awe.. - Sydney Fringe

  •          

    Sharam sings throughout, and what a voice she has: operatic, powerful, and stop-you-in-your-tracks beautiful. - Jo Laidlaw, THE LIST

  •          

    A one-woman tour-de-force, Mezzo Cuckoo short-circuits the patriarchy with sly theatricality and aching tenderness - Dr. Sully, Sydney Fringe

Suitability & warnings

Content rating: PG
Family friendly: Yes
Target audience: High School (15-17)

Accessibility

 
High audio content
 
High visual content
 
Suitable for audiences who may not have a comprehensive understanding of the English language

Presenter

Presented by: Purple Flower Music

Max, an eight-time ARIA Award–nominated singer-songwriter, has been fascinated with character & storytelling in music since childhood. A fearless pioneer & risk-taker, she frequently explores female characters in extreme emotional states. Her love of music and technology has led her to merge mediums & disciplines, developing hybrid art forms that include digitally manipulated drawings & video performances with distinctive themes. Max probes the gap between reality & imagination, blending the psychological, the political, & the conceptual — always defending the marginalized and dispossessed. Max, when not ‘dying’ mens red-ties, makes her home in Manhattan, New York.