Lady Macbeth Played Wing Defence
Step onto the court of this contemporary turmoil that entangles the timelessness of Shakespearean drama with hot, sporty, girl power like you’ve never seen before.
Supported by the Adelaide Tour Ready Award, Lady Macbeth Played Wing Defence is coming to Adelaide Fringe to give you electrifying dance-party experience of modern-day musical theatre.
A cautionary tale where deadly ambition meets treacherous scheming when a Netball team of gutsy misfits train for their Inter-School Comp. This show is underpinned by the synth-pop genius of PROJECT BEXX, presented by Crash Theatre Co as they assemble an all-female powerhouse team of WA artists.
See you on the court, b**ch!
★★★★★ 'Crash Theatre Co shoots & scores with award-winning original musical hailed "the ultimate Fringe show" - Fringefeed
School resources available for teachers upon booking.
Presented by: Crash Theatre Company
CRASH is a pioneering independent theatre company based in Boorloo (Perth, WA). Led by Ana Ferreira Manhoso and Courtney McManus, CRASH's journey is rooted in over a decade of collaboration that began between the two in a university common room. Since the company's inception CRASH's artistic identity has centered around telling stories of risk, resiliency, and resourcefulness. We aim to be a mouthpiece to expressive and impactful stories that need to be told.
Reviews & Fringe Feed Reacts
Sure to be one of the biggest hits [this] Fringe. - Michelle Sutton, Theatre Travels
Once word gets out about how bloody good this show is, tickets will be like gold dust - so get in quick - Stu Moore, Fringefeed
...an exhilarating night of energy, wit and intelligent silliness. - Beth Child, ArtsHub
The audience laughed the whole way through this one hour piece (which wasn’t long enough!!) - Tayla Ham, Stage Door Pod
The overwhelming feeling during and after the show is that you have just experienced glory in all aspects. - Danica Lamb, Magazine 6000
...this is destined to be one of this year’s mightiest Fringe highlights. - Stephen Russell, Time Out