t("festival.feed")
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Bernie Dieter's Club Kabarett
Adelaide Review Team | 27 Feb 2026
Club Kabarett is exactly what the Fringe should be: shocking, hilarious, sexy, chaotic, and just great fun.
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PILGRIM
The Clothesline | 27 Feb 2026
A personal odyssey; a quest to find love of life that explores the origins of our culture via mime, music, movement, light and shadow-play.
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Cyclops: A Satyr Play
The Scoop | 27 Feb 2026
This is peak Fringe. Wild. Smart. Profane. Thoughtful. Euripides would probably have approved. After a few drinks.
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Twenty Sixteen
Adelaide Review Team | 27 Feb 2026
Twenty Sixteen compresses a lifetime of iconic music into just over an hour of unforgettable performance. 6
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Wiesenthal
The Clothesline | 27 Feb 2026
A moving and harrowing experience, played to perfection by Christopher Gibbs.
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Heathers: the Musical
A Thousand Words | 27 Feb 2026
Veronica Sawyer is the main character of this story, and Lily Cotton played her to perfection.
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Cyclops: A Satyr Play
A Thousand Words | 27 Feb 2026
A man with goat legs, a karaoke machine, and the audience – eventually unanimously – deciding his ultimate fate.
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Girlhood in the Bathroom
A Thousand Words | 27 Feb 2026
It's hard to believe that this show is technically still a work in progress.
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Bio-logical
Fringe Benefits Podcast | 27 Feb 2026
If you like your stand-up a bit spicy, a bit educational, and best paired with few cold ones, you’ll have a hoot.
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Bob Marley: How Reggae Changed The World
Australian Arts Review | 27 Feb 2026
A show that makes you see, hear, and feel something you didn't expect to. A genuinely rare experience.
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Bernie Dieter's Club Kabarett
The AU Review | 26 Feb 2026
The message of hope and connection is wrapped up in a delicious cocktail of decadence and depravity.
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Millicent Sarre is Too Tired To Smash (Patriarchy)
Upside Adelaide | 26 Feb 2026
Sarre has the voice of an angel, and is the kind of performer who feels like she’s talking directly to you
