Reviewed by: A Thousand Words
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Allan and Evans have crafted a sharp, imaginative script that cleverly incorporates an “audience member” into the main role – a running gag that injects delightful unpredictability and keeps audiences fully engaged.
The show opens with the Muses — Arabella Kirk, Rhys Hill, Belinda Mentha, Tatenda Chibika, Lucas Mentha, and Sarah Davies — joined by Sybilla Scarman as Alethia, ever keen to keep the mythology factual but constantly overruled in favour of a good story. Together, they deliver a lively opening number and guide the narrative through song and wit.
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Having been denied access to the Disney soundtrack, Wren Gilet as Megara shines with a powerhouse rendition of Cher’s The Shoop Shoop Song, backed by the Muses. Gilet brings depth to Meg’s transformation from trapped underworld captive to empowered ally to Hercules.
Special mentions go to Amanda Sharp’s Pegasus – her exuberant prancing and dazzling costume stole every scene; Avi Laird and Leighara Lawson as Zeus and Hera, both delightful in smaller roles; and Simon Wotton with Torin Hill as Herc’s earthly parents, Archimedes and Amphitryon, whose comic timing in their supernatural “possession” scene lands perfectly.
As Fringe draws to a close, audiences lucky enough to catch Hercules: Live at the Parks-thenon are rewarded with an energetic, witty, and genuinely joyful experience — a clever reimagining that celebrates the spirit of pantomime and community theatre at its best.