Shakespeare Ghostbusters makes merry of the 1980s classic, bringing a new and hilarious take to the already wonderful Ghostbusters.

A tightly written script is adeptly brought to life by an even tighter knit cast. Shakespearean tropes are featured brilliantly as the story is led by our puck-like narrator. The narrator himself possessing the charm and arrogance needed to endear him to the crowd in breaking that fourth wall as the conduit to the tale.

There is nothing amiss in this production, the 80 minute running time seeming short when every twist and turn becomes more and more comical.

The performances are outstanding, with characterisations en pointe especially for the endearing Louis and quirky Janine. All the performers capture the essence of the film roles with a comforting familiarity as the audience wait on the edge of their seat for how the classic lines are delivered in Elizabethan phrasing. Cast members take on various roles to create a sense of fullness which is often lost in small cast shows. There is no one member who lags or brings less than another. Costuming is simple and effective with the tech complimenting the beautiful basic props and stage settings.

This is a slick and well directed performance, with impeccable comical timing from every player and some play titles thrown in by Ray generating pleased groans of laughter from those assembled. Rob Lloyd has not let any opportunity slip through the net to entertain the audience in his directorial interpretation. He has found the illusive balance of making what could be a simple retelling of the original into a smart contrast between old and new. The show is also incredibly accessible for people of all ages with subtle hints to adult content flying blissfully over the heads of the younger audience members. It was an absolute pleasure to hear the giggles of delight from the younger children in front as they enjoyed the perfectly timed slapstick movements and characters.

Moreover, the writing is incredibly clever, it shows a comprehensive knowledge of not only Shakespearean wording but the comedy devices used by the bard and is brilliantly interpreted by the Australian cast.

To bring the ghosts to life, puppetry is used to great effect with beautiful recreations of the most favoured characters. A Slimer on hand to greet us as we exit was loved by all.

The performance takes every opportunity to entertain on every level, never goes for low hanging fruit and is a riot from start to finish.

Goeth and witness, for disappointment find you none in this spirited tale of mirth and triumph.